![]() ![]() My baby don't care, my baby don't care The easy, fast & fun way to learn how to sing: 30DaySinger. Watch: New Singing Lesson Videos Can Make Anyone A Great Singer I think I'm gonna be sad In 1969, "Ticket to Ride" was covered by the Carpenters, whose version peaked at number 54 on the Billboard Hot 100. Live performances by the band were included in the Beatles at Shea Stadium concert film, on the live album documenting their concerts at the Hollywood Bowl, and on the 1996 Anthology 2 box set. Among music critics, Ian MacDonald describes the song as "psychologically deeper than anything the Beatles had recorded before" and "extraordinary for its time"."Ticket to Ride" appears in a sequence in the Beatles' second feature film, Help!, directed by Richard Lester. The song was included on their 1965 album Help! Recorded at EMI Studios in London in February that year, the track marked a progression in the Beatles' work through the incorporation of drone and harder-sounding instrumentation relative to their previous releases. Issued as a single in April 1965, it became the Beatles' seventh consecutive number 1 hit in the United Kingdom and their third consecutive number 1 hit (and sixth in total) in the United States, and similarly topped national charts in Canada, Australia and Ireland. But on the songs where they did break it - at least on the ones that hit #1 - I don’t think they ever sounded quite this great."Ticket to Ride" is a song by the English rock group the Beatles, written by John Lennon and credited to Lennon–McCartney. It’s the sound of a band starting to bend pop music, not quite ready to break it yet. It’s a toe-dip, a dabble, in the waters of the infinite. (“Ticket To Ride” did, after all, appear on the same album where the Beatles covered Buck Owens.) “Ticket To Ride” was the first Beatles single that broke the three-minute mark - but it only broke it by 10 seconds. It sounds like the acid-rock wig-outs that would show up atop the charts soon enough, but it also sounds like a honky-tonk throwdown. As the song ends, the band lurches suddenly into a double-time rave-up - as if to prove that they can still supercharge your soul, or to mentally force themselves out of the song’s depression-fog. Lennon is contemplating an uncertain future, and the sounds that he’s bringing are adult, as well.īut they’re not too adult. The BeatlesThe Beatles 1962 - 1966 2009 Calderstone Productions Limited (a di.There’s a line - “she said that living with me was bringing her down” - that suggests cohabitation. Provided to YouTube by Universal Music GroupTicket To Ride (Remastered 2009) Lennon is not singing about teenage heartbreak. And it sounds grown-up and mature, in ways that no previous Beatles song had done. Throughout the song, Lennon tries to reconcile the idea that the girl is leaving, that there’s nothing he can do. But by the time McCartney joins in on harmony, he’s wailing at the heavens. Lennon opens it up by wailing, “I think I’m gonna be sad / I think it’s todaaaaaay.” At the beginning of that line, he’s calm, sober, almost matter-of-fact. “Ticket To Ride” is a song about heartbreak. ![]() “Ticket To Ride” resonated the way it did because the band figured out how to plug these impulses into one hell of a pop song. But the Beatles didn’t hit #1 just by indulging their most experimental impulses. It had long-been believed that this was the case, but it was confirmed at an event in. He confirmed the song came out of a hitchhiking trip with John Lennon to visit his cousin, Betty, who had a pub in the town. These things should’ve made brains explode when the Beatles suddenly brought them to the radio. SIR Paul McCartney has lifted the lid on the role Ryde played in the inspiration behind The Beatles classic track, Ticket to Ride. There’s Ringo Starr’s awkwardly perfect stop-start drumming, which sends electric shocks pulsing all through the song. There’s the low-end drone of the bass, which foreshadowed the Beatles’ interest in Indian ragas. There’s George Harrison’s glistening Rickenbacher riff - a starry-eyed jangle that helped make the world safe for the Byrds and for the psychedelic folk-rock hordes that would follow. There are sounds on “Ticket To Ride” that had never made it anywhere near the top of the charts before. But what makes “Ticket To Ride” sing is its lightness - the way it’s always dancing away from you. That music was heavy because it dragged you down into its sodden, wrathful headspace. The real early heavy metal bands - including Vanilla Fudge, who released their cover of “Ticket To Ride” two years after the Beatles’ original came out - turned blues progressions into something leaden and overwhelming. And Lennon once called “Ticket To Ride” “one of the earliest heavy metal records made.” He was wrong, and he was wrong for interesting reasons. John Lennon wrote most of “Ticket To Ride,” though Paul McCartney has taken credit for a decent chunk of it. ![]()
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